- #THE SYNTHESIZER HAS VIRTUALLY NO STANDARD REPERTOIRE MOD#
- #THE SYNTHESIZER HAS VIRTUALLY NO STANDARD REPERTOIRE SERIAL#
Last and certainly not least is the trio by Gabriel Pierne. Once again the listener will be curious to hear more from this man’s work. Each of the relatively brief movements demonstrate a truly gifted composer. This is a truly substantive work, the third of the three world premiere recordings here. This three movement work certainly reflects that influence but this is not mere imitation. “Trois pieces en trio” (1937 ) concludes this fascinating survey of the string trio format as composed during the interwar period. This one makes a case for the further exploration of this composer’s work. The finale marked “allegro aperto” is, at first a playful finale as one would expect from a classical era symphony but it goes through various moods before it returns to reassert that playful opening. The slow movement contains a playful scherzo like section in the middle before it returns to the more somber tone of its opening. From the opening Allegro con brio we hear a substantive composition. Its brevity relative to the composer’s larger works suggest that this might be a minor occasional piece but this is in fact a compact and deeply serious work. This work is among the world premiere recordings on this set. His trio is a three movement work which opens the second disc on this epic anthology. Robert was also a prolific composer whose output includes seven symphonies and multiple works for piano and orchestra. Robert Casadesus was the patriarch of one of the great piano dynasties of the twentieth century. Now I know a lot of pretty obscure repertoire so I was a tad surprised to find that I had only heard of four of the composers represented here: Henri Tomasi (1901-1971), Jean Francaix (1912-1997), Robert Casadesus (1899-1972), and Gabriel Pierné (1863-1937). But these charming little works on this 2 CD set can be thought of as stepping stones in the evolution of the form. The trio of Violin, Viola, Cello can arguably be said to not have truly com of age until the twentieth century which would see major works by Schoenberg (1946), Krenek (1949), Wourinen (1968), and Schnittke (1985) to name a few highlights. The string trio form, though common, does not seem to have produced the grand stature of some of the music for the more commonly heard ensemble, the string quartet. The French term “Avant L’Orage” is generally translated as “The Calm Before the Storm”. The 7 pieces here (of which three are receiving their world premiere recordings) represent the years 1926 to 1939, the end of the period following the “War to End All Wars”. And this release certainly confirms that assertion. 8 parts (can be digitally streamed at studio-quality 96kHz 24 bit audio via USB 2.I recall reading a comment from Aaron Copland to the effect that he believed that there was undiscovered gems written in those years between the world wars 1 and 2 (roughly 1918 to 1939).
#THE SYNTHESIZER HAS VIRTUALLY NO STANDARD REPERTOIRE SERIAL#
Unit comprising nine stereo effects modules - namely, three-band EQ, Formant filter, input Limiter, Distortion module, Delay module, six-state Phaser, Chorus flanger, Stereo reverb, and output Limiter - with dedicated audio stream via USB (Universal Serial Bus).įeatures:- FPGA (Field Programmable Gate Array) virtual analog synthesis Versatility further abounds as each PART has a dedicated multi-effects … read more With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.
#THE SYNTHESIZER HAS VIRTUALLY NO STANDARD REPERTOIRE MOD#
As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2) FILTERS modulators (EGs, LFOs, and MOD MATRIX) multi-effects unit (EFFECTS) and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states.
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